![]() Reeeeally Branching Offīuckle in folks, this is where things get interesting. Notice here that in the third bar, the bass notes and rhythm follow the lead melody instead of the chords. But remember, this will depend on which octaves your oscillators are tuned to, so be sure to also check what frequencies you are hitting with an EQ or spectrum analyzer. These notes positioned at E2, C2, G1, and D2 would sound amazing (and feel amazing on the dance floor). Transposing a bass note an octave won’t really affect the “feel” or mood of the track, and keeping your bass notes somewhere between E1 to G2 (again, this is just an approximation) will allow you to take full advantage of the sub frequency range in your track.Īs an example, take our original Direct Extension bass progression: E, C, G, D. If you need to hit a D or a C, just bump it up an octave to D2 or C2. This means that if you put a note below E1, the listener might not be able to hear most of it. In general, I recommend avoiding notes below E1 - this corresponds to roughly 40Hz, which is where a lot of headphones and speaker systems start to lose their low end. Now, what octave should you put them in?Īs with anything in music production, there is no hard and fast rule on this. Ok, so now you’ve picked your bass notes using a combination of different extensions.
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